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As far as what I didn't like, they're really more nitpicky things than anything else. First, Cindy's outfit in the flashbacks - remember, these were supposedly 13 years prior to the current story - was decidedly not what seventeen year olds wore. And I know that because I was 18 thirteen years ago; high-waisted shorts were not something that any of my friends would wear and wouldn't actually come back remotely into style for another five years or so. Second, given the time span that Cindy was gone, she would be thirty at this point, and yet everyone, including the writer and artist, treat her like she is in her early twenties. I mean, yes, as a thirty-something who has discovered that arbitrary life milestones were created in a time that no longer applies, I know that there are more people in their late twenties and early thirties are living in kind of a weird arrested development, but still. Even J.J. Jameson asks her if she's a "naval-gazing, self-centered millennial." Technically, both Cindy and I are millennials, and maybe because she's been locked away for over a decade, she retains more youthful qualities that belie her true age, but for the most part, people associate "millennial" with people much younger. Third, perhaps it's explained in Spider-Verse or The Amazing Spider-Man, but I am wondering how in the hell she managed to get a job as a thirty-year-old without even a hint of a resume or proof of a college degree. Like I said, my criticisms are more about minor details that make me go, "Huh?" than anything else.
Overall, it's a strong opening issue, and I will definitely be returning next month to see who the creepy people observing Cindy in the bunker are. There are plenty of stories that can spring from this issue alone - the search for her family, dealing with modern life as an adult, overcoming guilt, first job woes, etc. A solid four out of five stars from me!
* Also, OMG, she actually looks Asian! This is a big deal to me, seeing as Greg Porn-Face Land drew her like she was just another white girl.